Intimacy and distance are constantly negotiated throughout the process of stitching the selfies. Shifting from the photographic image to the pencil on cloth and then embedding the image and line with thread. This process pushes me away from myself and retains a sense of safety in what I chose to share publicly. I creates a safe space to re-present images of myself.
Key insights rom I say a little prayer for you that I bring to I used to find dead insects … More
Not everything may be visible or unequivocal at various stages, but by the end, an experience will have been lived … More
Perspectives: Negotiating the Archive 1 SUE BREAKELL, a Tate paper. During a recent crit session with my supervisors it was … More
A refocus and drawing on earlier work from last year, I’m developing new work for I used to find dead … More
Some of the questions and feedback I have had around I say a little prayer for you relate to working with, … More
Reading over the papers from the exhibition, How to Live Together, at St Paul St Gallery has been useful. I’m … More
Collaborate: to work with someone else for a special purpose1. While my studio practice accumulates multiple themes of research and a … More
Notes on Chantal Mouffe’s Agonism and Public Space, from 2007. Defining the terms we consider, Mouffe describes different modes of … More
Intimacy and sharing. To consider other ways of speaking, to tell stories, I have been looking at Janet Cardiff, her … More
Catherine Davies-Colley, Ros May, Alex Moyse, Jolene Pascoe, Angela Rowe, and Linette van Greunen.
Dismantling Frameworks of Domination, Rematriating Ways of Being.
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Or The Musings of an Onaironaut
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J Ellis MFA Blog 2018/19
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